Isadora Duncan Dance Awards
I have been nominated for an Isadora Duncan Dance Award for 'Outstanding Achievement in Performance' for Giselle.
"Maria Kochetkova winningly pushed the bounds of too-cute opposite dashing Pascal Molat"
San Francisco Chronicle
"SF Ballet Star Brings Home the Gold" NBC Bay Area
"One standard-setting ballerina performance, from Maria Kochetkova, came with a novelty. Wednesday's "Raymonda Pas de Deux" was billed as a world premiere with choreography by Yuri Possokhov after the 19th century master Petipa.Possokhov either has a sharp memory for the steps passed down through his native Bolshoi Ballet or he called upon his powers of invention, or both, because this "Raymonda" pas (not the usual Act 3 excerpt we're used to from "Raymonda" but apparently from a different section of the full ballet) is filled with combinations of now-rare charm. Hungarian-inflected character arms punctuated whimsical little hops and turns, made all the more delightful by the delicate Kochetkova's understanding of academic ballet logic and attention to detail, and by Joan Boada's pure airborne zeal.Not for the first time that evening, crystalline choreography met with crystalline interpreters as spirit raising as a Champagne toast."
"Maria Kochetkova and Joan Boada’s Raymonda pas de deux stood out in its equally strong partnering and individual performances, a glittering masterpiece of classical ballet perfection."
"Bolshoi-trained Russian ballerina Maria Kochetkova, a principal dancer with the San Francisco Ballet soared through an excerpt from the ballet 'Don Quixote'"
Washington Post"SF Ballet Star Goes for TV Gold"
NBC Bay Area
"HIGH: San Francisco Ballet's Maria Kochetkova in "Giselle" (Feb. 19): Tiny, delicate and irrepressibly sweet, the Russian-trained Kochetkova broke our hearts. Cutting through all the hype of San Francisco Ballet's forward-looking 75th season, the company's doll-like new principal gave a performance to remember for a lifetime."
The best of dance in 2008, Rachel Howard
"Having three tries at perfection didn't alleviate the extra pressure on 24-year-old principal Maria Kochetkova, who found herself cast in the climactic Grand Pas de Deux opposite hunky, buoyant Davit Karapetyan as one of her first assignments with a brand-new company."It was a new stage, a new audience, a new ballet to me," said Kochetkova, who trained at Russia's Bolshoi School and joined the San Francisco Ballet from the English National Ballet. "I found out I was cast for this two weeks before. In that pas de deux, you have to walk right into the spotlight, you have to dance right away."Taking a break after the daily company class, the doll-faced Kochetkova was critical of her sparkling performance after seeing the video a few days earlier. "The film is really beautiful, though of course for myself I see things I would do better," she said. Still, she was full of praise for the choreography - "It's really big, and I like big movements" - and gratitude to Tomasson: "He really believes in me and believes I can do it better onstage than in the studio," she said. "I felt before him I hadn't realized the things I can actually do.""
San Francisco Chronicle
"During its Friday night opening, the young Miss Kochetkova had the ethereal grace, lovely line and strong technique for the part. She is an entrancing Giselle at the beginning of her career and undoubtedly will make her own distinctive mark as she grows in the role." The Washington Times
"The coveted opening night of "Giselle" is going to a relative newcomer to the company, Maria Kochetkova. "She's a very young Russian girl who's been with me over a year now," says Mr. Tomasson, 66. "She is absolutely beautiful in 'Giselle,' and I'm having her dance opening night because she hasn't been seen here before."" The Washington Times
"Maria Kochetkova's Giselle was all delicacy, with exquisitely formed positions and toes of steel." The Washington PostWithin the Golden Hour reviews:
"In the third duet, the amazing Maria Kochetkova and Joan Boada, illuminated by a subtle blue light, mirrored each other’s steps with carefree spontaneity in what looked like a game or contest." Ballet.coThe American Tour: Washington DC
Joan and me on the front cover of Los Angeles Times Calendar:
Within the Golden Hour review:"Petite Maria Kochetkova melted effortlessly into the firm grip of Joan Boada; here was an astonishingly seamless adagio and a flawless duo who made it hard to tell which of them was instigating the first move." LA Times